About
During the Calumet Quarter at The University of Chicago, students simultaneously enroll in three courses focused on the history, culture, geography, and ecology of the Calumet Region. Designed as a “study abroad at home” sequence focused on experiential learning, students participate in weekly field trips to the Calumet and complete practical, hands on research as part of their coursework.
In one of the courses, CEGU 26367: Objects, Place, and Power: Collecting and Display in the Calumet, students studied the ways in which material culture is both created by a specific sense of place and shapes identity in the region. Through a partnership with local historical societies and museums, students in the course studied individual objects to learn how their histories are connected to broader ones of the region and nation. Please browse their reports here, including some podcasts discussing a behind-the-scenes look at their research processes, as students learned about the power and politics of visual representation in placemaking.
Object Histories of the Calumet
About
During the Calumet Quarter at The University of Chicago, students simultaneously enroll in three courses focused on the history, culture, geography, and ecology of the Calumet Region. Designed as a “study abroad at home” sequence focused on experiential learning, students participate in weekly field trips to the Calumet and complete practical, hands on research as part of their coursework.
In one of the courses, CEGU 26367: Objects, Place, and Power: Collecting and Display in the Calumet, students studied the ways in which material culture is both created by a specific sense of place and shapes identity in the region. Through a partnership with local historical societies and museums, students in the course studied individual objects to learn how their histories are connected to broader ones of the region and nation. Please browse their reports here, including some podcasts discussing a behind-the-scenes look at their research processes, as students learned about the power and politics of visual representation in placemaking.
Blue Island Dog License
Owner: W.N. Rudd, 1907
Paper license
Blue Island Historical Society, Blue Island, IL
Willis Rudd and his wife Julia Massey – the Blue Island dog license owners – had two dogs according to their family photo album. In one photo, Willis is bent over, petting both dogs as they look up at him admiringly. I imagine, though I cannot be sure, that Willis took his two dogs on long walks. I also envision he walked his dogs at the Mount Greenwood Cemetery where Willis was the superintendent and president.i Willis was fond of these green spaces. Starting around 1900, Willis was the president of the Horticultural Society of Chicago which famously put on grandiose flower displays around Chicago, including at the 1893 World’s Columbian Exposition.ii He was especially fond of the bold and vibrant chrysanthemum; he organized an annual chrysanthemum show and was president of the American Chrysanthemum Society.iii Willis’ flower displays were so beloved that in 1896 he worked with the railroad baron George Pullman’s wife – Hattie – to set up a flower display.iv
Willis’ love for horticulture influenced his civic duties. The Horticultural Society of Chicago was a part of the “City in a Garden” movement which is the city’s motto: Urbs en Horto.v This movement pushed to build more parks and green spaces throughout the city – culminating in the Chicago Parks District and the Cook County Forest Preserves that circle the center of the city. Believing in the importance of public green spaces, Willis wanted to make Chicago beautiful – in opposition to the paternalistic forms of spatial control inherent to Chicago’s grid. This logic followed him to the Mount Greenwood Cemetery, where he was the superintendent and president. At the time, cemeteries were designed to be places to escape from the bustle and chaos of the city.vi While the cemetery serves as the final resting place for many of the famous, powerful, and rich figures of Chicago’s past, its gates remain open for all.
When I traveled to the cemetery, Rudd’s mark on the rest of Chicago was clear. The grid of brick and concrete that defines Chicago’s geography was interrupted by winding roads and open green spaces. A cobblestone chapel built in 1892 – when Rudd was superintendent of the cemetery – is nestled into a hillside and was rebuilt in 1937 in honor of Willis. Beyond the chapel lay acres of rolling hills, winding roads, and magnificent trees – the legacy of Willis Rudd is suspended beneath it all. On an unassuming plot, a stone emerges from the ground engraved with “Rudd”. The family stone is framed by well-manicured shrubs and a tall oak tree. A headstone reading “WN” is in front of the family stone, along with three others belonging to his father, mother, and wife. On the back of the family stone read the story of his father, Oscar Rudd; he was the first in Blue Island to enlist in the Union Army during the Civil War and died in 1863 – three years after Willis’ birth. Willis Rudd’s legacy are scattered around Chicago, but it is not clear how the broken pieces fit together – all that remains is a dog license, a grave, a few old articles, a photo album, and a cemetery. Still, his effects remain present.
—Owen Castle ’25 (CEGU, Math)
References
i. Margaret Kapustiak and Paula Everett, Images of America: Mount Greenwood Cemetery (Charleston, SC: Arcadia Publishing, 2014), 26.
ii. Ibid, 26.
iii. “Pride of Japan on View”, Chicago Tribune, Nov 8, 1896. ProQuest Historical Newspapers: Chicago Tribune.
iv. “Flowers at Battery D”, Chicago Tribune, Nov 9, 1896. ProQuest Historical Newspapers: Chicago Tribune.
v. “History.” Chicago Botanic Garden. Accessed April 21, 2024. https://www.chicagobotanic.org/info/chicago_horticultural_society.
vi. Tate Williams. “In the Garden Cemetery: The Revival of America’s First Urban Parks.” American Forests. June 2, 2014. https://www.americanforests.org/article/in-the-garden-cemetery-the-revival-of-americas-first-urban-parks/.