About
During the Calumet Quarter at The University of Chicago, students simultaneously enroll in three courses focused on the history, culture, geography, and ecology of the Calumet Region. Designed as a “study abroad at home” sequence focused on experiential learning, students participate in weekly field trips to the Calumet and complete practical, hands on research as part of their coursework.
In one of the courses, CEGU 26367: Objects, Place, and Power: Collecting and Display in the Calumet, students studied the ways in which material culture is both created by a specific sense of place and shapes identity in the region. Through a partnership with local historical societies and museums, students in the course studied individual objects to learn how their histories are connected to broader ones of the region and nation. Please browse their reports here, including some podcasts discussing a behind-the-scenes look at their research processes, as students learned about the power and politics of visual representation in placemaking.
Object Histories of the Calumet
About
During the Calumet Quarter at The University of Chicago, students simultaneously enroll in three courses focused on the history, culture, geography, and ecology of the Calumet Region. Designed as a “study abroad at home” sequence focused on experiential learning, students participate in weekly field trips to the Calumet and complete practical, hands on research as part of their coursework.
In one of the courses, CEGU 26367: Objects, Place, and Power: Collecting and Display in the Calumet, students studied the ways in which material culture is both created by a specific sense of place and shapes identity in the region. Through a partnership with local historical societies and museums, students in the course studied individual objects to learn how their histories are connected to broader ones of the region and nation. Please browse their reports here, including some podcasts discussing a behind-the-scenes look at their research processes, as students learned about the power and politics of visual representation in placemaking.








Hoosier Cabinet
Early 20th century
Wood, metal, glass
Donated by Leonard Barman
Museum at Lassen’s Resort, Cedar Lake Historical Association
Indiana’s dense hardwood forests have long supported a thriving furniture and cabinetmaking industry. At the turn of the 20th century, many wood craftsmen capitalized on early energy infrastructure changes and transportation system developments, opening factories to mass-produce and ship their products.i Among these enterprises was James McQuinn’s Hoosier Manufacturing Company, whose signature Hoosier Cabinet became an iconic feature of the “modern kitchen.”
In the 19th century, homemaking for working-class and rural families was labor-intensive, involving tasks like churning butter and stocking wood-burning stoves. The concept of a “furnished kitchen” was still emerging, and many women homemakers had to walk thousands of steps daily for food preparation and cleanup.ii Earlier kitchen cabinets were cumbersome, hard to clean, and prone to rotting and infestation. The Hoosier Cabinet revolutionized this by promising to make homemaking more manageable.
The Hoosier Cabinet functioned as both a storage cabinet and a table, complete with wheels for mobility. It allowed homemakers to access all necessary materials without excessive walking and to sit comfortably while meal-prepping.iii Designed with ergonomics in mind, the cabinet ensured all items were within the homemaker’s arm’s reach, protected against infestation, and included intricate designs to maximize storage space. It was also customizable, with options for airtight glass spice jars, extra flour sifters, and cookbooks fitting perfectly on the cabinet door’s book holder.iv
Economically, the Hoosier Cabinet was accessible. With an effective advertising campaign targeting middle and working-class families through newspapers and magazines, the company offered an affordable payment plan: “1 dollar down, 49 payments of a dollar a week.”v The combination of price and quality made the Hoosier Cabinet a popular choice,
serving as an affordable holiday gift, a luxurious piece of furniture to showcase to neighbors, and, most importantly, a product that made women feel their homemaking work was recognized and valued.
However, post-World War II economic depression and the advent of built-in cabinets led to a decline in the Hoosier Cabinet’s popularity. By 1942, with 2 million cabinets in circulation, the Hoosier Manufacturing Company was eventually sold and liquidated.vi Today, these cabinets are cherished by antique furniture collectors, symbolizing a significant evolution in domestic life and kitchen design.
Fun Fact: Since the 1830s, the residents of Indiana have been known as Hoosiers. Various theories explain the origin of this nickname, one of the most popular being that it came from a contractor named Hoosier who preferred hiring laborers from Indiana. These workers were referred to as “Hoosier’s men,” and eventually, all Indianans were called Hoosiers.vii Whether this story is true or not, the name “Hoosier Cabinet” highlights how this piece of furniture is closely linked to Indiana’s local history!
References
i. I. 1915- Holland and William R Bentley. Furniture Manufacturing and Wood Use in the North Central Region. Legare Street Press, 2023.
ii. Hiller, Nancy. “The Hoosier Cabinet and the American Housewife.” Indiana Magazine of History 105, no. 1 (2009): 1–30.
iii. Hoosier Manufacturing Company. “Hoosier Kitchen Cabinets 1920,” 1920. https://indianamemory.contentdm.oclc.org/digital/collection/p16066coll3/id/421.
iv. Hoosier Manufacturing Company, “Hoosier Kitchen Cabinets 1920.”
v. “The Last Call to Save $10.00 on a Hoosier Kitchen Cabinet.” May 29, 1919.
vi. L-W Book Sales (Firm), ed. Indiana Cabinets: With Prices. Gas City, IN: L-W Book Sales,1997.
vii. Indiana Historical Bureau. “What Is a Hoosier.” IHB, December 7, 2020. https://www.in.gov/history/about-indiana-history-and-trivia/emblems-and-symbols/what-is-a-hoosier/.